CLAIRE LEE

Independent project, Hong Kong, 2019

A lone man who’s broken free from the darkness and dares to march to the beat of his heart. Across the vast land in front of him is the spiritual space to think and contemplate all those thoughts in his mind. As he walks the lone path, we are all walking together.

Ink and charcoal on acid free paper, wood

16.5 x 23.5 x 3 inch

Heaps of emotions came together living majesty dwelling in one landscape. Perspectives distorted, large matters became small and small things turned to colossal.

Ink and charcoal on acid free paper, slate rock, wood

24 x 30 x 3 inch

The loudest sound of the unspoken emotions.

Ink and charcoal on acid free paper, slate rock, wood

24 x 30 x 3 inch

It is a drawing of a lone tree I saw during a walk at Seven Sisters chalk cliffs in United Kingdom. It stood alone in resilience against harsh coastal environment. It grew bent away from the prevailing wind direction. The bending posture reminds me of a character of grace and strength one can achieve in solitude.

Ink, charcoal and pencil on acid free paper, canvas, wood

16.5 x 23.5 x 3 inch

Installation of real mulberry branches hanging upside down from the ceiling

I broke a piece of clay into two. We are broken, flawed and fragile. But by standing close together, we become a mountain. It displays a beauty in imperfection.

Artist-made clay object. Giclée print on Hahnemühle German Etching 417 x 594 mm

edition of 5 + 1 AP

Mourning is filled with a sense of humility and openness. The silhouette of my cat’s head is the simplest form drawn from abundant details of human emotions.

I imagined through her deep eyes on the other end is a beautiful landscape of solitude. It displayed a thoughtful piece of comfort. The mourning becomes the acceptance of something bigger than the sorrow but not without it.

Firstly I created a small scenery composed of some plaster and clay objects I made and decorated with tree lichen. Then I set it in a box and photographed through a hole to create the planetary illusions, that have a film grain effect.

Giclée print on Hahnemühle German Etching

417 x 594 mm, edition of 5 + 1 AP

As I begin to assemble objects, forms, layers, textures and so on with clay, I am already discovering something about dimensions and qualities of my heart in this world. My thoughts act upon the imagination in solitude and landscape manifested upon by it.

Artist-made clay objects

Giclée print on Hahnemühle German Etching

594 x 417 mm, edition of 5 + 1 AP

In the photo is a ‘solitary land’ which is crafted in plaster. It is a discovery inside our human psyche. The vision in the darkness extends far into the void in search of a child within.

Artist-made plaster object

Giclée print on Hahnemühle German Etching

508 x 1016 mm, ed. of 5 + 1 AP

Pencil on acid free paper

297 x 420 mm

Charcoal on acid free paper

500 x 700 mm

Charcoal on acid free paper

297 x 420 mm

Charcoal on acid free paper

420 x 297 mm

In the exhibition one can lie down, look up, appreciate the details and natural composition of the mulberry branches from a new angle. Immersing yourself in the material, to hear the inner story tells itself clearly to you. Ways of seeing from a different perspective bring us appreciation of mindful details in everyday life.

A cotton ball finds a sanctuary for my mind inside a gigantic rock. One may find solace and comfort in the space or landscape that emerges to reflect one’s inner shelf and desire.

Ink, charcoal on acid free paper

415 x 585 mm

The bandaged rock is not the one that bleeds. Injury does not belong only to the one who hold the wound. This work is dedicated to the ones who dare to bear and be there to share other's suffering.

Two rocks, bandage, red ink

90 x 90 x 50 mm

Artist-made plaster object

By Claire Lee
London, New York, Stockholm
2018 -2019

New poetry collection in English are written during time spent in London, New York and Stockholm between 2018 - 2019.

It is in First Limited Edition. A4 size. Loose sheets no binding. Printed on Japanese-made paper.

In stock. Please contact for details.

People are invited to sit on the mat to read the poetry and observe light and shadow moving slowly on the smooth Japanese paper.

Charbon art space, Hong Kong

2017

Ink on paper

Ink on paper

Ink on paper

Ink and charcoal on paper

Ink and charcoal on paper

Bitumen and ink on paper

Bitumen and ink on brown paper

Ink on paper

Ink on calligraphy paper

Bitumen and ink on burnt paper, hand written poetry

Bitumen and ink on burnt paper, handwritten poetry

Bitumen and ink on burnt paper

Bitumen, ink and chalk on brown paper

Ink on paper

Ink on paper

Ink on paper

Ink on paper

Ink on paper

Ink and charcoal on paper

Ink and acrylic on paper

Ink on paper

Ink on paper

Ink on paper, light boxes

White cotton threads, ink on paper

Pencil on paper

“A deep feeling of sorrow and compassion came over me when I recognized our souls' reflection in these beautiful beasts (bison); I feel echoes of the sufferer and of humanity’s experience in a brutal and manipulative World. But I also felt a warm sensation grow in my heart - the simultaneous qualities in bison of power and vulnerability relate directly to the human condition.”

- The Awakening

Art book The Awakening brings you an intimate journey of the new series under the same title, which features drawings inspired by Bison. The book documents not only the full drawings collection but also the development of artist’s ideas, visual experimentation, sketches and thoughts on the artworks.

2017. A4 size, Soft cover, 80 pages, Limited Edition, printed in United Kingdom.

In stock. Please contact for details.

“Solitude is like that last drop of water. It is sitting at the bottom of the well, being unnoticeable, it moves and transcends without a trace. My compassion to life appreciates the last drop to its self-fulfilled fullness.”

Preface in In Between

New poetry collection In Between comprises of more than 30 poems written in English, reverse printed on delicate semi transparent paper. The soft appearance of texts expresses the emerging and disappearing essence in life. The poems draw your imagination on the imperfection and small things in nature and human. In the tango of life and death, Claire is in search of beauty and expresses compassion.

The poetry is packaged in a black box with a hole on the lid, the ‘in between’ position we are standing between light and dark in the midst of chaos of the world.

IN BETWEEN

2017, A4 size. Printed by artist in United Kingdom. Limited first edition of 50

In stock. Ship to international. Please contact for details.

Mur Nomade, Hong Kong, 2015

The Inner Scream I

Print on archival paper

H 145.2 x W 74 cm

Edition of 6 + 1 AP

Installation

Photographs on artist made objects

They are made of clay and old strings. Skin textures marked on the clay when I squeezed and pressed with force. The organic forms resemble to our flesh and nature elements.

Print on archival paper

In the photographs my hands imitate the conditions in seizure. The bones and joints are in great stress. The intense poses give a neurotic feel and also almost resembling to organic forms. It reminds of nature of how trees and plants grow.

Print on archival paper, 48.4 x 122 cm, Edition of 6 and 1 AP

Experiment of tying a pillow in frog-tie bondage symbolises woman in a passive position where they are vulnerable.

Print on archival paper

Ink and pencil on paper

Ink and pencil on paper

Ink and pencil on paper

Ink on paper

Ink on paper

Ink, charcoal and lead on paper

Ink on paper

Ink on paper

Ink and pencil on paper

Ink and pencil on paper

Ink and pencil on paper

A nightmare of an attack of a gigantic insect. A dream occurring during rapid eye movement (REM) sleep that results in feelings of strong terror, fear, distress or extreme anxiety.

Ink, acrylic and gauze on paper

Some people have a fear of pulling cotton balls apart or seeing them or hearing the pulled apart it gives them goose bumps like a nail against a chalk board. The face represents appeal of illness and the fragility of our physical being.

Ink and watercolor on paper

Ink and pencil on paper

Ink and pencil on paper

Ink and pencil on paper

The beds are empty due to children died under suspicious circumstances.

Quotes from a staff who witnessed the abuse of children in a mental institution.

Left: “She wanted to get out of it. She has, you know, struggling and she slided down on the floor, you know, so she started crying…”

Right: “She was tied up on the bed. She was crying for help, for help. They didn’t do nothing.”

Mixed media on paper

Ink on paper

Ink on paper

Color pencil and watercolor on paper

Ink on paper

Ink and water color on paper

Ink on paper

Ink on paper

Mixed media on canvas

Mixed media on paper

To create a corner of silence and intensity within the bustling environment of the fair, Art Central, works from series Under Pressure conceived a singular display of the ink drawings and photographs presented by Mur Nomade. On the table at the centre of the booth, objects created by me and French artist Régis Gonzalez are placed, narrating the two-year mail correspondence.

Part of correspondence with French artist Régis Gonzalez

Work as part of the correspondence

Ink on acrylic block

Work as part of the correspondence

Ink on paper

Work as part of the correspondence

Ink on canvas

Poetry Reading & Launch of FIST at Mur Nomade for Hong Kong Book Fair, 2014

"Cultural July” is a wide array of seminars and activities held throughout Hong Kong during HK Book Fair. FIST is composed of a series of poetry, drawings and photographs which expresses feelings about today’s society. This new poetry collection is a monologue responding to art project UNDER PRESSURE.

World is on fire. A veil of darkness shields all colors of hope as the smoke swallows up the whole sky. For that brief moment in time that the flames leap, devouring feverishly, a white bird soars from the dark fearlessly. The suppressed truth becomes tranquil. It is not afraid of being seen, as our soul wants to dance with and embrace every bit of it. There is a feeling of lightness in the bird. It is a liberated expression of freedom.

Ink and acrylic on paper

This particular work was made for a group exhibition Carnival , organized by Amnesty International Hong Kong (AIHK) in 2017. It aims to raise the awareness of human rights, and specifically the right to freedom of expression.

I also hosted a poetry workshop inside the exhibition.

Kong Art Space, Hong Kong

Mur Nomade, Hong Kong

2014

I read a confession written by a former soldier on the irony and terror of the war in Vietnam. In that place, in his words, right and wrong didn’t exist. Only survival, hatred, revenge and killing. In the crucible of war, it all boils down to the lowest denominators. What is it all about? At the end he said “I must believe that there are other ways.”

In colors of flesh and blood, I created layers of debris and holes to illustrate the chaos and war wounds.

Mixed media on canvas in 3 layers.

Mixed Media on Canvas

The work was chosen to exhibit at the Northern Arizona University Art Museum.
The exhibition is about Reflections on Politics, Violence, and Reconciliation. The tofu with a swan represents a moral sense and a human dignity, confronting the violent means. Tofu is a metaphor of gentleness and wisdom against violence.

I wrapped the canvas with my old bed sheet, wrote with ink a deconstructed Chinese character 白痴 (The Idiot), my 'protest' to the kind of abuse and violence I observed in a documentary on life in a mental asylum. I was struck by the image of them lying in beds all day. White beds with sleeping bodies packed the room, like bricks of tofu, harmless but lying as if dead. They are given no life before death.

It is also to remember Akira Kurosawa’s 1951 Japanese film Hakuchi 白痴 (The Idiot).

A blood-stained kitchen towel, poses as a block of abused tofu, represents domestic violence. A woman touches the wounds and hopes to find her way out of the frightful memories.

Mixed media on canvas.

Shakespeare’s Lady Macbeth character represents a conflict between femininity and masculinity, which also illustrates the role of a woman in modern society. The canvas poses as a piece of tofu, is a gentle form carrying qualities of subtlety and grace. I drew a male-female version of Lady Macbeth in blood, as a contrast, to question our appreciation of feminine beauty, both spiritually and as a human being.

Painted cloth, string, paint on canvas.

To be abused is to be betrayed; and to be betrayed is to forever be unsure of who can be trusted. The painting is of nerve cells in a human brain. I imagine how a painful memory affects the function of an abused child’s nervous system.

Mixed media on canvas.

To be abused is to be betrayed; and to be betrayed is to forever be unsure of who can be trusted. The painting is of nerve cells in a human brain. I imagine how a painful memory affects the function of an abused child’s nervous system.

Mixed media on canvas.

Animal cruelty is an increasingly serious issue. On the canvas, I tied a small string on the drainage exit of a slaughter house floor, symbolising ‘a feeble thread of life’ and there is a ray of hope.

Mixed media on canvas.

This painting is my tribute to a spiritual leader. He jumps with courage into a gap within the tofu, to offer service to others with humility.

Mixed media on canvas.

It is the last work I made in the series. I want to express love and hope. An old couple walking on the delicate surface, holding hands until the end.

Mixed media on canvas.

Charity exhibition at PubArt Gallery

2013

Tofu to me, is home. Is it a habit, a taste I grow up with, or is it memory? I can’t really tell. There are a lot of exquisite tofu dishes out there, but all I remember is the homemade stuffed tofu by my maternal grandma, and how she delicately made it with her wrinkled hands. Each bite is made with care and hope, a simple hope of the elderly longing for her children and grandchildren be home round the dinner table with her. My grandma lives by her own. And though her sons and grandsons are nearby, there is a kind of unspoken loneliness that cannot be measured by mere distance. When asked if she’d love to move in with her daughter? She said, you girls are all married to another family. You may say she is stubborn, but aren’t I? I see my mother in her. I somehow see the future me in her. One said that our personality is in-borne, perhaps later life gives it a tweak. Her legs have been giving her pain all these years, that’s why she always wears a sadden face. But her life is never a day without love, with her she carries the 30 years of loving memories with my long passed grandpa.

People say that life is like a mix of tastes. Once in a while I have this longing for the most original and simple bite. My grandma loves falling in her nostalgia, I guess I’m most like her in this. I wish that I could smile with charm like her in the days when my face is filled with wrinkles.

說到豆腐，我只想到家。是習慣是口味還是回憶，我也分不清。外邊有各式各樣的精巧菜式，可我只想到婆婆弄的釀豆腐，記得她那雙滿佈皺紋的手輕輕的把一磗磗豆腐翻來覆去，每一口都盛載許多關懷與期望。期望，是兒孫圍在一起吃頓飯。婆婆她獨居，雖然兒孫都住在隔壁，可是有種寂寞，不是單說距離的。問她要不要搬來跟她親一點的女兒同住？她說：都是外嫁女。說她是執著，可我又何嘗不是？在她身上，我看到媽媽，也看到可能的那個自己。聽說很多性格是天生的，生活歷練再扭少許。她的雙腳給她很多苦，讓她常常皺著眉，嘴角也愛下垂。可她一生不缺愛，心裡滿滿的是早早遠去的外公與她一起三十載的人生。

有說人生五味雜陳。嚐盡珍百味，還偶會想尋回差點遺忘的清淡。婆婆愛回憶。這個我最像她。但願將來我臉上的皺紋跟她一樣美。

- Celine

Picture taken by Claire for project Tofu & Violence

I didn't think much about tofu before Claire asked me to be involved in this project. For me it has always been a foodstuff. Something that was a bit"alternative" when I was growing up, and something I had come to appreciate more since coming to live in Hong Kong. We all set parameters around things. Food is, well, food. Clothing is clothing and furniture is furniture. But, when you think about it the last two can be anything but. Both clothing and furniture can be so much more. They can even aspire to being works of art.

But food products? Not really. So, I didn't know what to think as I approached this. But I had been thinking about my father who died in 1978 a lot recently. So I decided I would think about my relationship with him while I held the tofu. My plan was to think about how slippery and difficult a teenagers relationship with his father can be, and how, in hindsight, opportunities had slipped through my fingers. Opportunities that will never come back. I had expectations of what might happen. Some things did, some things didn't. What surprised me was the part that holding the tofu played. Rather than being an inactive prop it seemed to want to draw me into doing something with it. It substituted emotions that I felt but couldn't externalise at the time. It went from being an inanimate object to being something that, briefly, had a sense of life and loss.

- David

Picture taken by Claire for project Tofu & Violence

At first I had thought all I wanted to do was to protect it, to maintain its shape. I would hold it, cradle it, try as much as possible to keep it together.
I was so gentle with the firm tofu, thinking of stillness, and maintaining,
my hands were a nest, watched over by sparrows.

When I held the silken tofu a different urge overtook me.
It was so yielding, its fragility was begging me to break it.
You can't go against an object's nature.
If it is firm, hold it steady, if it wants to break, let it break.
My hands were cupped around the tofu the same both times,
but the second time I held as hard as I could, tighter and tighter, until its waters flowed down my arms and onto the ground below.

-Viki

Picture taken by Claire for project Tofu & Violence

Unappreciated, often times taken for granted.

This is how a lot of people see tofu, and often times how I see myself.

Yet in tofu there is so much character, subtle flavour hidden, a faint but longed for taste, quality not easy to describe.

This is how I connect with tofu, and my setting being underwater is simply because as a swimmer I feel at one with it. Tranquility once under it, free from the madness of the surroundings.

Tofu as a fragile substance held underwater. Too many contradictions, I don't think anyone bothered to ever do this before.

- Louie

Picture taken by Claire for project Tofu & Violence

'When thinking about tofu, the keywords that immediately come to my mind, without any filtering, are ‘Asia’, ‘vegetarian’, ‘plain’. Tofu reminds me of this restaurant I once went to in a Buddhist temple in Kyoto. I associate tofu to simplicity and balance. I eat tofu every other day.

For the tofu project, I wanted to evoke something soothing and reassuring, such as massaging the hand of a young child or an elderly person. Infancy and old age have a lot in common. I decided to wear a ring that was my grand-grand-mother’s ring. It was passed down from mother to daughter for four generations. I wear it but it does not belong to me, I’ll pass it to my daughter when she is a young woman.'

-Amandine

Picture taken by Claire for project Tofu & Violence

The series of paintings is inspired by tofu, a metaphor of a gentle and unspoken power against violence. I’d like to explore how our souls might express a spiritual strength and quality in times of conflicts. The two extremes are brought to confront each other, probing the viewers to consider the relation of the two.

Set of 3 books. English. Softcover. 40 cm X 28 cm. English & Chinese. 300 limited numbered edition. Published in Hong Kong.

In stock. Please contact for details.

I gave a brick of tofu to a group of participants of different backgrounds, asked them to use their bare hands or any body parts to hold it, feel it, and exist with it. Photographs were taken as the skin holding it. At the end of the session, they were asked to write about their relationship with tofu.

Project "Tofu and Violence" has tried to present tofu as a metaphor for gentleness and nonviolence against violence. A limited edition set of 3 books "Tofu & Violence" was made to document the project.

Set of 3 books. English. Softcover. 40 cm X 28 cm. English & Chinese. 300 limited numbered edition. Published in Hong Kong.

In stock. Please contact for details.

From book

TOFUESE MONOLOGUES – REFLECTIONS ON FRAGILITY AND GENTLENESS

Books selling event at Unar Coffee to fundraise for local charity group RainLily, who supports victim-survivors of sexual violence to recover from the trauma.

Books selling event at Unar Coffee to fundraise for local charity group RainLily, who supports victim-survivors of sexual violence to recover from the trauma.

New Gallery on Old Bailey, Hong Kong

2012

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Installation

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Broken glass and mixed media on canvas

Cattle Depot Artist Village, Hong Kong

2012

Installation inside Cattle Depot

Installation inside Cattle Depot

Found nature objects and mixed media on wood, wood case.

RITUAL

Poetry collection to accompany the art collection SACRIFICE

The more we search for truth in life, the closer we are to fears. I offer a poetic ritual, to stir and comfort the inner unrestful world.

English & Chinese. 2012. Softcover. 28 cm X 20 cm. 103 pages

500 limited edition signed and numbered. Xuan paper sleeve with red ink Chinese stamp. Published in Hong Kong

In stock. Please contact for details.

Calm Before the Storm 4

Fringe Club, Hong Kong

2011

Artworks on the wall that was covered in large scale prints of nature photographs taken by artist.

Artworks on the wall that was covered in large scale prints of nature photographs taken by artist.

Artwork on the wall that was covered in large scale print of nature photograph taken by artist.

Fringe Club in Hong Kong

It used to be an old Dairy Farm cold storage depot built in 1892 and now categorised as a Grade I historic building.

Mixed media on canvas

Mixed media on canvas

Mixed media on canvas

Light comes through the layers of holes

Mixed media on canvas

Mixed media on canvas

Mixed media on canvas

Mixed media on canvas

Mixed media on canvas

Mixed media on canvas

Poem written on a painted driftwood with horse figurine

BEING ALONE TOGETHER
POEMS ON SOLITUDE FROM 3 CITIES
By Claire Lee
London, New York, Stockholm
2018 -2019

The poetry collection in English are written during artist’s time spent in London, New York and Stockholm between 2018 - 19, was launched at the art exhibition under the same title Being Alone Together.

A4 size, loose sheets no binding, printed on Japanese-made paper. Limited edition.

In stock. Please contact for details.

Installation of 17 poems in English and printed on Japanese made paper at art exhibition Being Alone Together in 2019.

“A deep feeling of sorrow and compassion came over me when I recognized our souls' reflection in these beautiful beasts (bison); I feel echoes of the sufferer and of humanity’s experience in a brutal and manipulative World. But I also felt a warm sensation grow in my heart - the simultaneous qualities in bison of power and vulnerability relate directly to the human condition.”

- The Awakening

Art book The Awakening brings you an intimate journey of the new series under the same title, which features drawings inspired by Bison. The book documents not only the full drawings collection but also the development of artist’s ideas, visual experimentation, sketches and thoughts on the artworks.

2017. A4 size, Soft cover, 80 pages, Limited Edition, printed in United Kingdom.

In stock. Please contact for details.

“Solitude is like that last drop of water. It is sitting at the bottom of the well, being unnoticeable, it moves and transcends without a trace. My compassion to life appreciates the last drop to its self-fulfilled fullness.”

Preface in In Between

New poetry collection In Between comprises of more than 30 poems written in English, reverse printed on delicate semi transparent paper. The soft appearance of texts expresses the emerging and disappearing essence in life. The poems draw your imagination on the imperfection and small things in nature and human.

The poetry is packaged in a black box with a hole on the lid, the ‘in between’ position we are standing between light and dark in the midst of chaos of the world.

IN BETWEEN

2017, A4 size. Printed by artist in United Kingdom.

Limited first edition of 50

In stock. Please contact for details.

Poetry live reading from collection In Between, with Didgeridoo performed by Hong Kong musician Hakgwai in the opening night of exhibition The Awakening at Charbon Art Space .

FIST is composed of a series of poetry, drawings and photographs in which the artist expresses her feelings about our society today.

"Our society is in a deepest solitude. Something is going wrong. I think about my mother, my homeland and people under pressure. My pen is my fist. I write to protest.”

FIST is a monologue to respond to her art project UNDER PRESSURE. In the project artist creates multi media artworks inspired by research on people who suffered from different degrees of physical and psychological pressure.

FIST

English. 2014. Softcover. 21 cm X 14.8 cm. 28 pages
First Edition of 120 numbered copies. Color digital print on wood-free paper. Printed in Hong Kong

In stock. Please contact for details.

Poetry reading at book launch of FIST at Mur Nomade for Hong Kong Book Fair
2014

"Cultural July” is a wide array of seminars and activities held throughout Hong Kong during HK Book Fair. FIST is composed of a series of poetry, drawings and photographs which expresses feelings about today’s society. This new poetry collection is a monologue responding to Lee’s art project UNDER PRESSURE.

Project "Tofu and Violence" has tried to present tofu as a metaphor for gentleness and nonviolence against violence. This set of books was made to document the project.

Book 1 features a series of paintings is inspired by tofu, a metaphor of a gentle and unspoken power against violence. I’d like to explore how our souls might express a spiritual strength and quality in times of conflicts. The two extremes are brought to confront each other, probing the viewers to consider the relation of the two.

Set of 3 books. 2013. English. Softcover. 40 cm X 28 cm. English & Chinese. 300 limited numbered edition. Published in Hong Kong.

In stock. Please contact for details.

I gave a brick of tofu to a group of participants of different backgrounds, asked them to use their bare hands or any body parts to hold it, feel it, and exist with it. Photographs were taken as the skin holding it. At the end of the session, they were asked to write about their relationship with tofu.

Project "Tofu and Violence" has tried to present tofu as a metaphor for gentleness and nonviolence against violence. A limited edition set of 3 books "Tofu & Violence" was made to document the project.

Set of 3 books. 2013. English. Softcover. 40 cm X 28 cm. English & Chinese. 300 limited numbered edition. Published in Hong Kong.

In stock. Please contact for details.

RITUAL

Poetry collection to accompany the art collection SACRIFICE

The more we search for truth in life, the closer we are to fears. I offer a poetic ritual, to stir and comfort the inner unrestful world.

English & Chinese. 2012. Softcover. 28 cm X 20 cm. 103 pages
500 limited edition signed and numbered. Xuan paper sleeve with red ink Chinese stamp. Published in Hong Kong

In stock. Please contact for details.

Book Launch at Fringe Club, Hong Kong

Not a Muse, published by Haven Books in 2009, is an anthology of world women's poetry with more than 100 exciting poets from 24 countries have contributed to this wide-reaching collection. Some of my poems are featured.

Edited by Kate Rogers and Viki Holmes.

Not A Muse Poetry Book Launch “Not a Muse: Poetry to Seduce the Senses” at Fringe Theatre, Hong Kong, 2009

Opening night of the Man Hong Kong International Literary Festival

RTHK The Works

www.cobosocial.com/dossiers/et-al-2020-claire-lee-on-greta-thunberg/

My writing for CoBo Social’s publication titled et al. in 2020, a collection of selected writings from artists on another artist of their choice.

This letter and poem to Greta Thunberg embraces my desire of a better appreciation of the beautiful otherness in the imperfect brains and savant minds around us. Nurturing their gifts as their extraordinary mind could lead to creative breakthroughs to our environment and society.

It is a photograph from my Under Pressure series in 2014. The intense gestures of bodies in epileptic seizures remind me of powerful organic forms in our nature.

Fragility is not a weakness. I hope we can do more to understand, appreciate and protect the imperfections, and let them be.

Interviewed by HOKK FABRICA

Cantonese and Chinese subtitles

https://hokkfabrica.com/her-story-claire-lee-poet-awakening/

Interviewed by Honeycombers

In English

http://thehoneycombers.com/hong-kong/hong-kong-artist-claire-lee-the-awakening-her-upcoming-show-at-charbon/

Reviews on The Awakening by ARTOMITY

In English

https://artomity.art/2018/02/18/claire-lee/

Interviewed by ZOLIMA CITYMAG

In English

https://zolimacitymag.com/claire-lee-explores-the-virtue-of-fragility/

altermodernists.com

Interview by Asian Art News, in English

https://www.slideshare.net/slideshow/embed_code/key/uMxbCggsqbsdmf

altermodernists.com

altermodernists.com

Report by CAPITAL Weekly, in Chinese

Interview by U Magazine

In Chinese

altermodernists.com

Written for MING PAO WEEKLY, in Chinese

Poem and mixed media on canvas.

Artwork for an artist gathering exhibition at YY9 Gallery, Hong Kong in 2010.

Painted flowers and objects on mannequin heads. Works were inspired by images from war photography.

Group exhibition at YY9 gallery, Hong Kong in 2007.

Work in progress

Found objects, plaster, and mixed media on canvas bag.

Charity group exhibition at YY9 Gallery in 2009

I was trying to find a new angle to look at Hong Kong, the city by going back to the place where I grew up, the empty old housing estates, the abandoned schools and temple...even some of the forgotten little alleys we passed by everyday.

Reinterpreting in my own way, I see trees as my spirit and passion in the city, which is expressed in disguise by modifying the pictures already captured. The contradiction and intersection of lightness and weight of life is always the subject I am interested in. I am trying to express some kind of imaginary and dreamy qualities which can also be identified in my work.

6 mixed media on canvas prints

Hong Kong, 2008

I was trying to find a new angle to look at Hong Kong, the city by going back to the place where I grew up, the empty old housing estates, the abandoned schools and temple...even some of the forgotten little alleys we passed by everyday.

Reinterpreting in my own way, I see trees as my spirit and passion in the city, which is expressed in disguise by modifying the pictures already captured. The contradiction and intersection of lightness and weight of life is always the subject I am interested in. I am trying to express some kind of imaginary and dreamy qualities which can also be identified in my work.

6 mixed media on canvas prints

Hong Kong, 2008

2008